“Last week Sunday marks exactly one month since the
disappearance of Castro, and JQ seen to have turned down every interview about him. A
lot of people have made false stories about his discovery and how he
entered the music industry. This is a true Story of the discovery of
Castro, his entry to the Ghana Music Industry and his success story
By Jeff Quaye (JAY Q/JQ).
In the year 1999 – 2001, I was one of the
engineers at Virtual studio, amidst Waltermoon, Philip, Emmanuel and
Martin. I went there after the closer of CHM where I and Zola worked due
to renovations and maintenance. Virtual studio was eventually changed
to Universal studio after I took over as manager. It was an arrangement I
had with the CEO Nana Poku.
During this period, my assistant was Emmanuel
Nana Agyeman (AKA AGYINGO) who knew CASTRO from Takoradi. So Castro
comes to the studio every day and sits close to where I park my car but I
had no idea who he was, though I notice him anytime I park my car.
I worked with an Artist from Italy (A
Ghanaian) called RAY KING who expressed interest in wanting to feature
Nkasei (due to their hit song that I produced at the time that was
enjoying massive airplay “MONKEY CHOP BANANA”). Nkasei came to the
studio and soon as they started bargaining the amount they would charge
to feature, I left them for lunch in the care of my assistant Agyingo.
Upon returning from lunch, the session had
closed but my assistant was waiting for me, I then asked if Nkasei did
the song and he asked me to listen. Upon listening, I heard a voice I
had never heard before so I inquired who it was from my assistant (since
I knew it wasn’t Nkasei), then he told me his name is Castro, the guy
who sits by my car. So I sent for him, he came and I asked him to do the
same thing he did on the song to know if it’s really him, and he did
exactly. Knowing he’s got talent, I asked where he was staying, and he
said he lives with some friends in Mallam and that he walks to my studio
(situated on the graphic road opposite MTN) every day.
Same day I met him and spoke with him, i took him home to go stay with me at North Kaneshi, Bubiashie (ACCRA).
Castro at the time of his discovery was a RAP
artist but in one of the two songs he featured, he did a little intro
which was singing, before the rap, so I knew he could sing. I then
migrated from virtual/universal studio studio to Hush Hush where I
featured him on 4×4′s debut album that I produced/engineered as well as
financed the production- cost. On the “Siklitele” track that he
featured, he did rap.
During this same era, work on the JAY Q
platinum compilation was going on. I then decided to do a remix of
“Sradinam” by George Jahraa. After laying the instrumentation, I asked
Castro to go into the vocal booth to do the vocals as I directed him,
which he did, as a Guide track for George Jahraa to come and sing later.
After it was done, I invited George Jahraa to Accra from Suhum (where
he stayed at the time), to come listen and redo the “Sradinam” remix
vocals.
Upon getting to Hush Hush studio, I played
the song for him to listen after which he advised me to keep Castro’s
voice and that though he did the original song, he thinks Castro got
talent, so I kept it.
Though “Sradinam” was initially meant for my
compilation, I released it to Frimprince to be added to King David’s
“Aaye fe notse album” but was stated that sradinam was performed by
Castro and not King Dave. Frimprince later went to Europe to replicate
the “Aaye fe notse” CD, after which promotion there in Europe out-doored
“Sradinam” and it was accepted there.
Frimprince then called me from Europe and
asked me to put an album together for Castro and that the “Sradinam” is a
big hit in Europe, which I did… So at this time, I had to nurture
Castro into putting more effort in his singing ability. I then told him
that we need to add something to the name Castro, so in Hush hush studio
when producing his debut album, I and the guy who managed my Q-Lex
Entertainment Label, Charles Asare AKA Chakua gave him the name CASTRO
DESTROYER.
First
time Castro heard “Sradinam” being played was in Glenns Night club
(Adabraka), upon hearing the song, he stopped dancing for a minute and
tears filled his eyes. He realized his dreams were coming true.
“Sradinam” album was made ready for
Frimprince music as he requested and it was released and became a big
hit for Castro. After sradinam, he made some money and moved out form my
house in North Kaneshie and rented his own apartment. I remember the
first cell phone I got him, Nokia 8210, the wine color, he was so happy
and showed his gratitude.
After “Sradinam”, we did the Toffee Album
also for Frimprince before moving on to the Late Apor’s label PRINCE
DAVE RECORDS where we did Com Center in Rich City Studio (Dansoman ASORE
DANHO).
I formed CASHFACE (Castro, Shilo and Screw
Face) and we recorded 024419 album in PSI studio (Asalym Down) with
Sammy AKA Madness Also for Frimprince Music. It was after this that he
formed his own Wonge Entertainment.
This is the true Story of the Discovery of Castro and his entry to the Ghana music industry.”